Another App Store Artist profile: James Cordas

Another App Store Artist profile: James Cordas

James Cordas (born May 22, 1986) is an American artist who works in sculpture, installation, digital media, sound and light. His early works included immersive installations, interactive digital media, performance and 2D wall works. Between 2010 and 2012 he has exhibited work in such institutions as Yerba Buena Center for the Arts, Liminal Space, We Are Will Brown and The Luggage Store. Cordas has an upcoming residency at the Berkeley Art Museum in early 2014 and is currently studying at the Yale Norfolk School of Art and Music.
We recently took a trip to West Oakland to see James’ studio. He explains his “An Image altered by its Own Sound” series, shows a gilmpse of what is he developing for the Berkeley Art Musuem, and why it is important to view his work in person. https://vimeo.com/65920783

Another App Store Opens June 1st-July 13th
Opening Reception June 1st 7-11pm
Free for all ages
Dj Sets by El Indio and Dj Lil’ Coat
Snacks and Beverages
Please Rsvp and share the event at

https://www.facebook.com/events/563907220306334/

Posted in Uncategorized.

Artist Spotlight: KidsoLAr

Artist Spotlight: KidsoLAr

Editor’s note: One of Sacramento’s most accomplished muralists as part of the KIDS crew, KidsoLAr is responsible for work throughout the city including collaborative gallery shows and works with the KIDS crew all over Sacramento. Our youth writer Chloe Williams caught up with KidsoLAr to talk about life, art, and Sol Collective’s Tuesday night Co-Lab.

I met KidsoLAr, clad in a purple sweater and khaki shorts, necklace hanging down the middle of his chest I sat over a steaming chai latte just outside of Insight Coffee Roasters. KidsoLAr is soft spoken and refers to himself as antisocial. Today, he is clad in a purple sweater and khaki shorts, necklace hanging down middle of his chest. His look screams artist, though, most people are unassuming.

QUESTIONS & ANSWERS
Q: Tell us a little bit about yourself. Something most people wouldn’t know or guess upon first
meeting you.

KidsoLAr: I guess that I’m an artist, [laughs] nobody really guesses that.”

Q: Are you a Sacramento native?

KidsoLAr: No, I was born in Mexico, brought up in LA and I just landed in Sacramento in ‘96.

Q: In your life and career, how have you seen Sacramento change as far as art and culture goes?

KidsoLar: Well, it’s definitely more supportive of the art. I mean, in 2000, there was very little support for the local artists. It was really just an underground sort of thing.

Q: How often do you attend Tuesday night collabs at Sol Collective?

KidsoLAr: As much as I can, I mean, there are weeks that I miss, but that’s rare. I’m there nearly every week.

Q: How does it affect you as an artist; what’s different about working with the likeminded vs. working in solitude?

KidsoLAr: It’s inspiring, seeing like minded, creative people.You feed off the positive vibes, you know? It gets you past artist’s block. It’s weird because I’m usually anti social, but when I’m there, I’m feeding off all these people’s energy and it’s great. I feel like I’m a part of something.

Q: What generally inspires you?

KidsoLAr: My environment. I observe everything that goes on around me. LA was a huge part of my art and the hard times I went through just motivated me to paint. The main theme of my art is human nature. Just the things we do and why we do them.

Q: Are there any things that particularly spark your interest and just make you need to do your thing?

KidsoLAr: When a day goes by that I don’t paint, I feel off. I just have to.

Q: I noticed that there’s a lot of geometric lines and patterns in your work. Is there any meaning behind that?

KidsoLAr: Symmetry. I really enjoy math and science. I’ve looked at its role in past cultures and I think it’s a huge part of human nature. Everything comes down to numbers.

Q: How would you define your style?

KidsoLAr: It’s basically just me. My work is just my thoughts and experiences.

Q: What is the biggest compliment somebody can give to you about your art?

KidsoLAr: Being able to understand or just showing the slightest hint of knowing what I was doing, it just feels right.

Posted in Uncategorized.

Featured Artist Spotlight: Gregory Ito

Another App Store is the newest exhibit presented by the Sol Collective. Another App Store features the work of James Cordas, Gregory Ito, and Robby Moncrieff.

Gregory Ito

The co-owner of Ever Gold Gallery and the editor of San Francisco’s Art Quarterly, Gregory Ito was originally trained as a painter but his recent work has evolved into mixed media arrangements and installations showing throughout the city at the Yerba Buena Center for the Arts, the Eleanor Hardwood Gallery, and Truesilver Gallery.

Greg explains his work:

Through the multiple mediums of assemblage, painting, sculpture, and installation I establish a language that explores the relationships between image and object and what an art object entails in today’s social and cultural climate.  Using a combination of personal ephemera, consumer products, and industrious materials, works are produced in my practice that fabricate a vernacular that addresses the concepts in my work which reference domestic space, romantic companionship, spirituality, and personal history.  The motivating ideas that fuel my work is rooted in human euphoria and nostalgia for the moments in human history that define perceived value in today’s consumer driven landscape, with recurring dialogues toward natural manifestations such as twilight and the celestial identities of the Sun and Moon.  I continue my artistic endeavors bearing placement as gesture, texture as memory, objects as identities, image as catalogue, and text as backdrop

Artist’s endeavors:

Another App Store June 1st-July 13th

Opening Reception June 1st 7-11pm

Free for all ages

Dj Sets by El Indio and Dj Lil’ Coat

Snacks and Beverages

Please RSVP and share the event with your friends at

The People’s Revolution x Opio raise money for Kiddie Hop – a one of a kind daycare center.

With the message and intention of Hip Hop constantly under fire because of the materialistic, hyper-sexualized nature of the more mainstream rap on the radio, it is seldom that we here of all of the amazing things that Hip Hop is doing locally for the communities it was born out of.

One such shining existence is TPR’s effort to start Kiddie Hop, a daycare center for low income families in South San Francisco.

The vision for Kiddie Hop comes from TPR veteran Old Ghost, also known as Anthony Harper. After suffering a near fatal sickness in 2009, Harper miraculously covered with a new sense of purpose and dedication.

“One day after I was first admitted in the hospital and after my major surgeries the Doctor came in the room and told my I had 3-5 days to live if I didn’t bounce back,” explained Harper. “That night I had a vision and God said to me, ‘I had built you up to be a safe haven and refuge for my children and for years you did what you wanted and not what I had purposed you for and so I have to break your house down to the foundation and rebuild the way I called it to be’ and that very night I had an miraculous healing as well as saw a room with children laughing and playing with toys and planets hanging from the ceiling. It wasn’t until last summer that I saw the fullness of the vision God has.”

When asked about the mission of Kiddie Hop, Harper explained how deep the roots of his passion for Kiddie Hop go.

“Our vision/mission is simple to provide the low-income families who need it with quality early education/childcare and to provide their children with all the love, support, knowledge, wisdom and understanding to claim the future that awaits them. I understand what it is like to be a parent who gives all to ensure their children get the best and even more I know the weight that carries when our society denies this essential tool to both the parents and even more so the children because they either can’t afford it or nothing like it is being provided in and around them and being that my life history literally led me to this point (abandoned with my brothers in a foster home by our birth mom when I was two weeks old and then eventually adopted at four) I just saw it in me and saw a need I could fill.

Harper has been running Kiddie Hop out of his house in Sacramento since 2010 with much success. There are currently 11 children enrolled with more coming soon and a waiting list already started for when facilities open in 2013/2014.

In their efforts to build their own facility in South San Francisco, Harper and TPR are throwing a show at Harlow’s with Opio from Hieroglyphics as well as Live Manikins, DLRN, J Ross Parelli, Tribe of Levi, Nome Nomadd, and Augustus the Elephant.

The show starts at 9 p.m.

Tickets are $10 at the door. $7 presale (
https://www.gribbendesign.com/harlows/
)

All proceeds will benefit The Kiddie Hop Academy. To find out more about the Kiddie Hop Academy visit
http://kiddie-hop.webs.com. 

 

A Victim of Violence?

By Krystal Chan


When I was in high school I was like most teenage girls who were in puppy love with their high school sweetheart. He was captain of the basketball team and I was in heaven. My heart melted every time he pulled up to my house in his shiny white car. However, somewhere between the dates to Baskin Robins and the many nights we stayed up on the phone together, I failed to realize that I was becoming the victim of an intimate partner violence relationship.

It started with subtle scoffs at what he deemed were attempts on my part of flirting with other boys that I tutored at the time. Little by little, his fuse grew shorter and my chances of having a healthy teenage relationship all but disappeared. I don’t know why I chose to ignore those early faint shoves which came with the screaming and name calling. Maybe because I felt like everyone had rough relationships like that in high school.

My own best friend dated a very aggressive boy who screamed and shouted so loud you could hear it from the building next door. His dad beat his mom, and at least he had never beat my friend…at least not yet. Maybe it was my own threshold for violence; one that I had created as a product of my environment that included many fights between a dominant Mexican macho father and his subordinate petite wife.

Soon enough the faint shoves became full on pushes from a 6’4 man towards a 5’2 girl (I use the terms man and girl for a reason, because we were just that, a 16yo GIRL and a 19yo MAN). One can only imagine the amount of air I caught, like Michael Jordan in an early nineties slam dunk contest. Still, I chose to ignore it. The shoves and name calling continued but he never really hit me, there wasn’t any real “violence” in our relationship, and of course the one that sums it all up, he never meant any of the things he said and did, he LOVED me!

Like most Latinas who had been protected from anything outside their homes and communities, I began to see the world in a different light after moving away to college. I started realizing, with indirect help from other strong, powerful and like minded Latinas, that this behavior was unacceptable. The first time I kicked him out of my dorm room for trying to pick a fight with me I had to hide for hours until campus security came and took him away. Little did I know that would be the beginning of the end. I had made a choice to leave this abusive relationship, which I still had not termed “abusive” because he had not yet punched me or sent me to the hospital.

What proceeded next were months of stalking, unexpected visits, hundreds of phone calls and many, many tears. I can still remember the night I went to pick up all my stuff from him, like it was yesterday. I walked into his empty house naively hoping to gather my things in a few seconds and be out. I was met by a grieving heartbroken man who was not ready to let me go. He was crying and pleading with me not to leave him. Of course we began to argue and I decided to get out of that place as fast as I could. He followed me outside, blocked my car and from there, we began to fight over my keys. I held on tight to them and he held on tight to my wrist. He pushed me and pulled me back into the house. I tripped over the furniture and he began to drag me all the way back into the bedroom. He picked me up and threw me onto the bed. We wrestled for a few minutes which seemed more like an eternity to me at the time. Thousands of thoughts raced through my mind and I decided to do the only thing I could: claw and bite my way out of his grasp. The first claw was met with a strong twist of my arm and then the unexpected, a powerful head butt to my forehead. That’s right a HEAD BUTT. The sound was so loud it froze us right into place. I could not believe what had happened. I ran to the bathroom to see about a two inch in circumference red ball on my forehead.

I was lost for words and was encountered by a man who wasn’t ashamed or remorseful for what he had done, but was afraid of going to jail. He quickly began apologizing, grabbed a piece of frozen meat from the fridge and walked me to my car all while begging me not to call the police. Of course I didn’t. Instead I chose to lock up that memory of the night and of our relationship deep down hoping it would go away. It took me months to accept and begin comprehending the events of that night, but it took me years to understand that I was a victim of violence. It has also taken me years to shed the baggage that I carried from that relationship; the insecurities, the mistrust of all men, but most importantly, the devaluation of my worth.

I am sharing my story because I think it is a very common story, especially among our communities of color. A quick search shows that youth ages 16-24 experience the highest rates of intimate partner violence of any age group. Another recent study found that 1 in 10 teens report to being physically hit by their significant other within the past year. That’s 2-3 teens in every high school classroom. Besides the immediate ramifications of domestic abuse like bruises and broken bones, we tend to miss some of the more long term effects that it has not only on the mental health, but the general health of the victim.

Earlier today I was inspired by a group of women at the UCDavis School of Nursing who are looking at the relationship between Latina survivors of domestic violence and chronic diseases. Yes, chronic diseases like diabetes, hypertension and obesity! I found the subject very interesting because we are all aware of the more common things associated with domestic violence like post traumatic stress disorder, but I don’t believe we have any data that link it to chronic diseases. We also came upon an interesting discussion on the definitions of “violence” which can be very different across cultures especially within the subgroups of Latinos and how some may have higher thresholds for violence than others. In the end we all agreed that violence is not acceptable in any culture and that we must continue the long battle to help educate and empower our communities.


As a coincidence, March 8th (When this entry was orinally written. Sorry for the delay in posting.) is International Women’s Day. So let’s empower and educate by spreading the word (and links) to “UNITE to end violence against women.”


If you find yourself in a similar situation to the one described above, please don’t hesitate in calling 911! You can also find helpful resources at Sacramento’s WEAVE website: www.weaveinc.org. You can call their support line 24 hours a day at: 916-920-2952.

Posted in Uncategorized.

Tati

By Emmanuel Padilla

When I was sixteen, I worked as an ice cream vendor at Giants game. During the month
of December, we had a holiday Party. At the party, various gifts were raffled.

My number was called. My prize; A CD by rapper Chingy. He had such hits as “Right
Thurr” and “Holiday Inn.”

I went home, opened the CD without tearing the seal. I listened to the CD, downloaded
it to my computer, put the CD back inside the case, wrapped it, and put it in my sister’s
stocking.

Merry Christmas.

My sister is 2 years younger than I am.

Her name, Tati. It has a cute ring to it. It gives off cariño, (which is translated to BLANK,
but like so many words, it sounds beautiful in Spanish).

While her name is cariñoso, calling her my little sister gives me a sense of pride. Not in
a dominant way, but in knowing that Tati is not only my sister, but my little sister.

Tati just turned 22. Since I have played her with my gifts (re: Chingy CD), I asked her
what she wanted for her birthday

“I want you to write me a story,” she said.

My sister and I have a dual relationship. Yes, I am her big brother, but for the most of
her life, I have done my best to also be her father figure

I have envisioned us having a relationship where we go out together, talk on the phone
daily, and visit each other during our College/Young Professional stages in our lives.

Honestly, our relationship isn’t like that.

We talk when we are at Mom’s house. We go out when the family goes out. And we
text. Occasionally. I have been to her apartment in San Jose, but only to help her move.

It’s the relationship we have to have.

The dual relationship of being a big brother/father figure, like everything, has its
sacrifices and difficulties.

When we have conversations, I am both interested and judgmental. When she is in my
thoughts, I am both proud and cautious. When she confides in me, I am trusting and
stubborn.
I know you want a brother who is more of a friend. I want to be your best friend. And I
may be overdoing it, but our situation makes it a challenge.

But we both understand it.

I remember going to McDonalds with you and Ita every Friday for lunch. We would
collect Pogs and trade them in when we didn’t like them. I would take all the creamers
for you to drink. We would be in the PlayPen until the afternoon turned red and our
socks came off to climb up the slide backwards.

During the summer, we were always at the Palaega Park. You would be in the
sand box, and I would be on the tennis courts playing baseball.

When we got tired we would go home and ride bikes. You would watch from the
Window while my friends and I built bike ramps.

One time, we were playing with Fireworks, and we burned Tio Sergio’s workout bench.
Literally, we put that sucker in flames.

I was always scared of the dark, and I would drag you out of your room to sleep on my
floor, just so that I could sleep.

You are the brave one.

We watched Brink! and Uncle Buck together on my scared nights.

You were my partner in crime.

You are now my fashion police. You keep it real with me when I am at fault. You are my
backbone.

I wish I could be sorry for giving you that Chingy CD, but I’m not.

It adds to our story. Our history, Our bond.

I love you. I know this isn’t a story, but it’s a reflection of our story that will continue to
grow as we grow, dually.

Happy birthday, your big brother.

October 28, 2008 – By RED

Jessica “Red” Dyatlov takes the stage at Microphone Mondays to record her entry into the PoetrySlam.com video slam contest. The winner wins automatic entry into the Women of the World slam. Please take a second to support this incredible young lady and vote. It takes 5 seconds and helps a dream come true. Here’s the link to vote and support.

http://www.poetryslam.com/index.php?option=com_psivideo&view=all&Itemid=131

Posted in Uncategorized.

New music from Kahali Oden aka Doey Rock – A Letter To My Kids

Kahali Oden – A Letter To My Kids

This is a new video from Sacramento heavyweight Kahali Oden, also known as Doey Rock (who has also released under the name Mean Doe Green). One of the most prolific writers in Sacramento Doey Rock has always been able to straddle the fence between mainstream and the underground. In his latest, “A Letter To My Kids,” the tree city veteran gets more personal than ever before dedicating three verses to his kids in a heartfelt reminder of the legacy he plans to leave behind.

When asked about his latest name change, Oden explained “My real name is my emcee name from now on. This song is apart of an album called It Aint My Fault. When I started writing it I wanted to only talk about things that came straight from my life. Good or bad, this album is everything I went through and some things I still struggle with. Since it’s the realest music I have ever written I felt I should use my real name.”

Salute, Mr. Oden.

Kudos on this one. Real folks rhyming about real life. Salute.

Posted in Uncategorized.

Walk On I

By Emmanuel Padilla

It was my last night of studying abroad in Cuba. I was with some of my classmates, sitting on the Malecoln. Waves crashed behind us. Musicians were all over the long boardwalk. The night was dark, but bright with stars.

 

“I’m going to play you a song,” A musician said.

 

He had a trumpet in his left hand and had his right hand behind my back.

 

“No thanks, brother, we’re fine,” I replied. I had spent the past three months studying abroad in La Habana, and I did my best to adapt to the culture.

 

“No, you’re not (fine),” he replied.

 

I was confused. I never felt threatened in Cuba, so I wasn’t weary, but I was caught off guard.

 

“You don’t remember me. I am Amaru…you are Emmanuel. I played you a song the first night you and your classmates arrived.”

 

If I wasn’t confused before…. Actually, I really wasn’t confused anymore. I was elated.

 

“I am going to play the last song you will hear in Cuba,” Amaru said.

 

And, almost on cue, Amaru began to play “Un Monton de Estrellas.”

 

 

Everyday…Everyday.

 

I think about the beauty that is Cuba. I reminisce about how people treated people, how people cared about one another.

 

For those three months I was in Cuba, I never felt more alive, more like myself, more like a person, more complete.

 

Strangers became friends; Friends became family; Family was everywhere.

 

Time felt timeless. It was never on my mind and my mind, usually crammed with all kinds of thoughts, was clear because I was always in a conversation with someone.

 

There was a mutual interest between individuals, kind of like a curiosity. A feeling more prevalent however was the shared connection amongst people.

 

That curiosity, I miss. Those conversations, I yearn. That connection, I try to replicate everyday.

 

Replication. Something I have failed to do.

 

 

I was riding my bike home after Misa last Sunday.  It was past 8 and the temperature felt below zero. I caught a green light and kept straight.

 

Riding in the cold feels like getting continuously slapped with thousands of palms, and I was thinking about turning on the heater and making a sandwich at home.

 

Trumpet. I heard a trumpet.

 

I stopped my bike and rode in the opposite direction of my spot. I heard the trumpet harmoniously rise and crack the icy sky.

 

I saw a man in a parking garage, playing his trumpet and filling the air with open arms.

 

I stopped and watched him play his trumpet. When he finished his song, I approached him, and thanked him for playing the trumpet.

 

See, in late September, I heard that same trumpet, from that same garage, but I didn’t stop; I didn’t want to steal his moment. This night was different.

 

“Thanks man,” Trumpet player said. “I come here and play from time to time. I figure I wouldn’t be doing nothin’ at home, so I come here to play.”

 

He was holding his trumpet, but he was no longer playing music. The harmony was coming from his words.

 

“Life is all about reflection,” he said. “Don’t let no one tell you different. You have to always reflect. I’m 63 years old. I blinked and 20 years went by. Too fast.”

 

I didn’t say anything; just the occasionally “yea’s” or “maaan’s” to show my interest and attentiveness.

 

The man with the trumpet continued to talk. His eyes hardly blinked. They were soft but had a pained look in them. A pain that was under control, though. It was a pain that was a part of a necessary struggle.

 

“I saw my own brother die man. In these arms. I held him while he died,” Trumpet man said. “I told him that I loved him. You know what he told me? ‘I never knew you did.’”

 

I was apprehensive about his story, but I trusted him. He would say things also that demonstrated he was sharp, very sharp.

 

He collected his things and we started to walk down I St. My toes were numb. My right hand was rolling my bike, but I didn’t have any feeling.

 

Trumpet man is Ron Cox. He plays the trumpet in a garage on I St. every Sunday. He plays for the sole purpose to play.

 

We walk. Through 13 blocks on I St. We walk, 4 blocks past my place. We walk, and I just listen.

 

I didn’t want to stop Mr. Cox from his stories. I wanted time to be nonexistent. I wanted to converse, I wanted to connect. Most of all, I wanted to replicate what I experienced in Cuba.

 

But I was cold, and I was hungry.

 

“Mr. Cox, it was nice, man, very nice talking to you, but I think I’ma go home now,” I told him.

 

“Hey man, you know how many people I could have done this here walk with? Not many man,” he replied.

 

“I’ll keep in touch, Mr. Cox. Take care and thank you.”

 

During that walk, and being with Mr. Cox, I came closest to what I experienced in Cuba. What I came furthest to though, was replication.

 

I learned that life isn’t about replication…It’s about reflection.

Posted in Uncategorized.